The Ages Of Poetry Essay -- essays research papers

     The English Romantic poets of the nineteenth Century had a conception round genius that, over a century later, appears in the verse line of today. These poets have had a significant influence on the attitude and vocabulary a modern-day poet uses. Among the contemporary poets, Dana Gioia, in his two poems, "Becoming a Redwood," and "Rough Country," has drawn on the idea of the innocence and untainted part of nature that parallels the Romantic poetry of William Wordsworth and William Blake in their poems "Nutting," and "The Tyger." Also, Gioia has captured the wild-like and untamable demeanor of nature that many English Romantics have similarly captured. Finally, Gioia uses the concept of the sublime in his poetry to the extent that nature becomes dangerous to humans.      many another(prenominal) English Romantic poets have written about the innocent and purity that can be found in nature. In Wordsworths "Nutting," he comments on the beaut of the innocence of an "unvisited" nook his character discovers. Wordsworth writes, "Unvisited, where not a broken bough / Drooped with its withered leaves, ungracious sign / Of devastation but the hazels rose / tall and erect, with tempting clusters hung, / A virgin scene" (Ln17-31) Wordsworth is commenting on the innocence and beauty of nature without human intrusion. This Romantic conception of innocence parallels Gioia in his poem "Rough Country." He writes, " a spot so hard to reach that no nonpareil comes-- / a hiding place, a shrine for dragonflies / and nesting jays, a sign that there is still / one piece of property that wont be owned." (17-20) This last line implies that this part of nature will remain untouched, this part of nature will remain pure and innocent, and a Romantic conception of nature that even Gioia has adopted in his poetry.     Another conception that the Eng lish Romantics held about nature was that nature is wild and untamable. This wild-like aspect of nature is described in William Blakes "The Tyger." Blake writes, "Tyger, Tyger / Burning bright / In the forests of the night / What immortal hand or eye / Dare frame thy fearful symmetry?" (1-4) Blake creates this look of the Tyger as a wild beast, an untamable creature of the for... ... no silence but when danger comes." (25-27) This English Romantic concept of sublime that Gioia uses, makes humans to not simply fear nature such as the Tyger or the mountains, but also to hold high respect for its beauty and magnificence.       It is interesting to reckon how much of our story actually does repeat itself. It is amazing that even today, we are asking the resembling questions about nature and coming to similar conclusions as people did in the 19th century. Its not that nature hasnt changed, but the attitudes toward nature still build on many g eneral English Romantic ideas. Dana Gioia, in particular, has taken some of the same attitudes toward nature as the Romantics have he has developed the untamable and wildness of nature, the innocent and virgin, as well as the sublime in his two poems, "Becoming a Redwood," and "Rough Country." English Romantic poets such as William Wordsworth and William Blake influence each of his poems. Because of their strong influence on contemporary poets today, it would not be surprising to see their influence carry on in yet another century, and have the influence on poets for years to come.